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Who we are

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Mgr. Marta Sýkorová

She is the founder and head of the whole “not so fair” project and the author of Not So Fair Fairy Tales.

She is currently doing a PhD in Social and Spiritual Determinants of Health at the Faculty of Theology, Palacký University Olomouc, where she researches embodied narrativity and high sensitivity (see the glossary). She made a ten-minute documentary about high sensitivity. Marta loves combining her work with different art forms – free writing, painting, theatre and music improvisation, singing. She draws on the theory of embodiment, “becoming aware of your own body”, has completed a coaching course and keeps learning in this field. She is also a singer, violinist and composer, not only in the band Dobrá otázka. You’ll meet Marta and her music at most of our workshops and shows.

More info ›

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Mgr. Jaroslava Vitteková

She is Marta’s left hand and is behind much of the project’s visual and creative output.

She studied industrial design and art education. During her studies she was very interested in art therapy, artefiletics and various forms of personal growth through the creative process. One day you’ll see her with a camera, another with a canvas and another at the potter’s wheel. She is fascinated by transience, which she captures in all sorts of ways. At the USEBE weekends she creates the setting, makes journals for the participants and leads the literapy workshop, which gives you space for creativity and for seeing yourself through text and image. Want to know more about literapy? You’ll find it in the Glossary further down this page.

More info ›

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Mgr. Dorotea Meisnerová

She is the human and psychotherapeutic backbone of the Not So Fair Fairy Tales project. You’ll meet her mostly at the USEBE Weekend.

She studied psychology at Palacký University Olomouc. In her work she accompanies children, teenagers and adults at the Pestalozzi Crisis Centre in Chrudim. She also loves leading experiential courses and workshops. She is training in biosynthetic psychotherapy, which supports finding inner resources and leads to a more sensitive perception of yourself through the body, emotions and mind. As she likes to say, she “danced her way to herself” thanks to creative therapeutic dance – and she’ll give you a taste of it during the USEBE weekend. She’ll support you in sensing your own body, feelings, needs and inner strength. If you’re interested, she’s also available for personal consultations.

More info ›

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Mgr. Helena Bednářová

She is Marta’s right hand in leading the fairy-tale workshops and shows and in organising everything.

She studied Education and Andragogy at the Faculty of Arts, Masaryk University, and works as an education consultant and trainer. She loves the arts, especially theatre, theatre improvisation and playing the piano. For her, art is a safe place for self-expression, for drawing attention to social issues, and a form of therapy. You’ll meet her at workshops and in shows about the big dreams of a small woman, about the Little Dough, or about Princess Pleaseall, who for everyone… well, you’ll see!

More info ›

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Mgr. Jana Ungerová

She is the creative soul of the project. Jana has always loved playing with words and with theatre.

She studied Molecular Biology and Genetics at the Faculty of Science, Masaryk University in Brno, but after several years of research at Charles University in Prague she drifted away from the world of science. She completed the School of Evangelisation run by the ICPE community and today she works as an interpreter and devotes herself to mime (not only) in the art duo Mim:o), dance, singing and other creative things. In our fairy-tale project you may have met her at the launch of the Czech edition in Olomouc and Brno, at a workshop in Tišnov or at the Že(h)nám conference. She is part of the AUTODI show about dreams, which she plays as a duo with Marta, as well as the show about Princess Pleaseall, and she loves dreaming up new creations.

More info ›

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Featured in

Český rozhlas Plus

Český rozhlas Plus

Fairy tales and spirituality? Dita Palaščáková and Marta Sýkorová in conversation

Český rozhlas Olomouc

Český rozhlas Olomouc

Marta Sýkorová’s Not So Fair Fairy Tales were born from disappointment and defeat

Social Impact Award Czechia

Social Impact Award Czechia

The Not So Fair Fairy Tales project

Impact Hub

Impact Hub

We don’t choose how our story begins. We can choose how it ends.

Magazín Signály

Magazín Signály

Marta Sýkorová: Don’t buy my fairy-tale book for your kids

Holky z Olomouce

Holky z Olomouce

USEBE experiential weekend: coming back to yourself through story, body and creativity

Radio, podcasts and recordings

Český rozhlas Plus – Episode 2: Fairy tales and spirituality? Dita Palaščáková and Marta Sýkorová in conversation

Český rozhlas Olomouc – Marta Sýkorová’s Not So Fair Fairy Tales were born from disappointment and defeat

Podcast VědOUSHI – episode on Spotify

Ženská konference Že(h)nám – recording of the panel discussion

Articles and interviews

Social Impact Award Czechia – the Not So Fair Fairy Tales project

Impact Hub / Social Impact Award – We don’t choose how our story begins. We can choose how it ends.

Stisk online – Social Impact Award winners announced: young innovators with a vision to change society honoured in Brno

Holky z Olomouce – USEBE experiential weekend: coming back to yourself through story, body and creativity

Magazín Signály – Marta Sýkorová: Don’t buy my fairy-tale book for your kids

Patriot magazín – Not So Fair Fairy Tales: a Palacký University student publishes a new book

Academia Film Olomouc – guest profile: Marta Sýkorová

Palacký University

Žurnál UP – Not So Fair Fairy Tales about self-destructive behaviour head out into the world in English

Žurnál UP – Marta Sýkorová presented Not So Fair Fairy Tales at a summit in Ljubljana

Nadační fond UP – Not So Fair Fairy Tales won the Public Choice Award at the Social Impact Award

Žurnál UP – The author will also launch Not So Fair Fairy Tales in Prague, Brno and Zlín

CMTF UP – Not So Fair Fairy Tales can work as a therapeutic helper

Univerzita Palackého – A Palacký University student presents Not So Fair Fairy Tales for the too kind and indecisive

Žurnál UP (English edition 2024/07) – PDF

Žurnál UP – A Faculty of Theology PhD student writes Not So Fair Fairy Tales

Nadační fond UP – Supported projects 2023

Glossary

Embodied narrativity
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This term brings stories and the body together. Narrativity is that very human habit of constantly telling ourselves stories about ourselves, about others and about the world – and then acting on them. By becoming aware of these stories, and by glimpsing a few uncomfortable truths through fairy-tale adventures, we can gradually rewrite our own stories and change the way we act. That is exactly why we pair narrativity with embodiment (working with the body). Our stories and beliefs (e.g. “I always have to step aside for everyone”) very often get written into our bodies (hunched shoulders, putting our own needs last,...). So working on yourself inevitably means working with your own body, too. In short, embodied narrativity describes what happens at our “Not So Fair” workshops and performances.

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Narrativity
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We humans naturally look for connections – and we create them even where there really aren’t any. We store all our experiences in stories we believe. Who we are isn’t set in stone. Our identity is an ever-evolving, ever-changing story about ourselves, through which we see our present, past and future.

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Embodiment
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Embodiment means being aware of your body and not just using it as a “taxi” for your brain. By working with the body consciously, we can connect better – with our emotions and with ourselves. What can you do to become more aware of your body? Mindful walking or other movement, focusing on your breath, spending time in nature, slowing down... Try taking a deep, conscious breath in and out. What does your breath taste like? And how heavily is your body pressing into the chair or the floor right now? Embodiment techniques help us remember that we are made of flesh and bone.

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High sensitivity
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High sensitivity (sensory processing sensitivity) is a scientifically recognised term – plenty of studies have been written about it. It is a personality trait, not a disorder or a “flaw”, just a difference. By high sensitivity we mean a more sensitive nervous system and deeper cognitive processing of information, stimuli and emotions. In other words, you get moved more easily, but also annoyed more easily, and overwhelmed more quickly. Highly sensitive people are more prone to burnout, yet they often experience art much more intensely and are creative, inventive and clever. They can be introverts or extroverts – but either way they need time away from other people so they don’t get overwhelmed.

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Literapy
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Literapy is a way of exploring yourself and reflecting on your own life story through working with text and visual art. It was created by Jaroslava Vitteková, inspired both by the “lectio divina” way of reading biblical texts and by art-therapy approaches. The process starts with reading texts, from which you intuitively pick words or passages that resonate with you. You then cut these words out, rearrange them, combine them and look for new meanings between them. Playfully putting words into new contexts opens up space for introspection and for discovering hidden connections and fresh perspectives. This language experiment then moves into the visual – words blend organically with images and create a unique composition that reflects your inner world. Literapy thus connects verbal and visual creativity and lets you dive deep into your own emotions, memories and dreams. You’ll meet literapy at the USEBE weekend programme.

Creative dance
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Creative dance is a unique artistic and creative form of movement that puts the emphasis on free and authentic self-expression. It’s not about mechanically copying moves or following choreography, but about deeply connecting with your own body, its natural impulses and inner experiences. This kind of dance opens up space to spontaneously express emotions, thoughts and moods through movement, so it becomes not just physical activity but a way of getting to know and express yourself. Sensing the body here doesn’t only mean its outer dynamics, but also listening to the subtle signals coming from within – the rhythm of your breath, tension and release in your muscles, the flow of energy or emotional impulses. Creative dance links outer movement with your inner world and lets you experience a unique dialogue between body, mind and emotions.

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Music and theatre improvisation
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Improvisation in theatre and music isn’t just an art form – it’s also a powerful tool for personal growth, flexible thinking and building self-confidence. Improvisation is built on openness to the present moment, the ability to react quickly, accepting your own mistakes and turning them into new possibilities. Theatre improvisation teaches you to work with uncertainty and respond spontaneously. Its key principle is “Yes, and...” – accepting the situation as it is and building on it creatively. This approach is great for everyday communication too: instead of automatically rejecting unexpected challenges, you learn to meet them with playfulness and openness. Music improvisation, on the other hand, develops intuition and the ability to tune in to others. When improvising on an instrument or with your voice, you gradually let go of the fear of mistakes and learn to trust your abilities. This boosts self-confidence and helps silence the inner critic that stops us from expressing ourselves naturally.

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Bring the fairy tales to you. A few lines are enough. We'll get in touch and sort out the details.
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